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David Ashen

This award-winning NYC-based interior designer isn't hindered by scope of work when creating compelling experiential interiors.

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Dash Design
XL Nightclub located in New York, NY (2012)
Photo: John Horner Photography
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Dash Design
Godiva flagship store located in Istanbul, Turkey (2011)
Photo: Ali Bekman
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Dash Design
One11 Hotel located in New Orleans, LA (2020)
Photo: CS3 Photography

In his twen­ty-plus year career, David Ashen of Dash Design has built a rep­u­ta­tion for engag­ing, expe­ri­en­tial, and dis­tinc­tive­ly brand­ed hos­pi­tal­i­ty inte­ri­ors, and with offices in New York, Paris, and San­ti­a­go, he’s tak­en his design phi­los­o­phy inter­na­tion­al. Howl sat down with Ashen to talk brand­ing envi­ron­ments, expand­ing one’s prac­tice, and how to be an expert in everything. 

— You and your firm have gravitated towards branding hospitality interiors. What does it mean to you to brand an environment?

I think that just as every per­son has their unique DNA, every envi­ron­ment has its unique DNA. The sto­ry is already there; it’s how you bring it to life and cre­ate an expe­ri­ence. Every touch­point needs to be thought of when you’re cre­at­ing some­thing that’s for peo­ple. The design must be tak­en through all the touch points the guests have, from how they expe­ri­ence the staff, to what they hear, what they smell, what they touch, and what they taste. It’s about bring­ing that all together.

— What are some of your favorite projects you’ve worked on and why?

One from ear­ly in my career was a project I did called XL. It was one of the first high-end gay night­clubs in the coun­try. We real­ly got into the light­ing design and the detail­ing. It was fun. It was very the­atri­cal. I’ve worked with Godi­va for 25 years. I was able to do a store in every major city in the world, so it real­ly got me to under­stand cross-cul­tur­al dif­fer­ences. Hotel One11, which we just fin­ished in New Orleans, was great. It was such a beau­ti­ful build­ing. I’ve done some his­toric ren­o­va­tions, but this was a pret­ty intense design project. There were so many lit­tle puz­zles that had to be fig­ured out there. 

They’re all inter­est­ing. When I was in grad­u­ate school, I had din­ner with Bob Siegel, of Gwath­mey Siegel. They had just designed their first sky­scraper in Times Square; I had recent­ly gone to a coun­try club and seen that they had designed the dish­es there. And I’m like, what do you learn more from, the dish or the sky­scraper? And he said, I learned just as much from design­ing the plate as I did from design­ing the building.’

— Your firm has multiple international locations. You have offices in New York, Paris, and Santiago. What was that expansion process like?

Paris is a part­ner­ship. We have a joint ven­ture called Saguez & Dash. We start­ed dat­ing’ in 2019, and we formed the joint ven­ture for­mal­ly a cou­ple of years ago. So that’s been easy. COVID was very, very help­ful, because we learned how to work more effec­tive­ly remote­ly. Pri­or to COVID, peo­ple were like, They have an office in Paris and we have an office in New York, and we’re work­ing the project togeth­er. How are we going to do that?’ Now we’ve all been work­ing as teams remote­ly. We’ve proven we can do it.

San­ti­a­go hap­pened organ­i­cal­ly. My part­ner is from Chile, so we have an apart­ment there. I’ve tried over the last 15 years to form rela­tion­ships. About a year and a half ago, I hired an archi­tect who lives in Chile. She under­stands both US cul­ture, because she grew up here, and Latin Amer­i­can cul­ture, because she’s been liv­ing there. That kind of just fell into place. Some­times you can’t over­think things too much. It’s paral­y­sis by analy­sis. You’ve got to go with your gut a lit­tle bit.

— What are the hallmarks of a good client relationship?

We’re pro­vid­ing a ser­vice. I always tell my team that peo­ple hire us to help ease their sore points. They hire us to take things off their plate that they don’t want to wor­ry about. I find that the best rela­tion­ships are the ones where I can antic­i­pate the things that are keep­ing my clients awake, and make sure that they’re not keep­ing them awake. Even if it’s not in my scope.’ Some­times, some­body in my office will say some­thing like, The client is ask­ing about the alarm clocks for the rooms, but that’s not in our scope.’ I nev­er say that. I say Don’t wor­ry, we’ll help fig­ure it out. I’ll find some­one who can do that for you.’ But don’t throw it back in their court. It’s always an edu­ca­tion, fig­ur­ing out how best to be a good part­ner. And that means being able to antic­i­pate what they need.

You know, it’s fun­ny. Inte­ri­or design­ers, we’re gen­er­al­ists, but we’re experts in every­thing. I’m not an expert on HVAC, and I’m not an expert on the per­for­mance of fab­ric, but I know enough to get you the answer and cre­ate a com­plete experience.

Howl9 ft2 img1
Dash Design
XL Nightclub located in New York, NY (2012)
Photo: John Horner Photography

In his twen­ty-plus year career, David Ashen of Dash Design has built a rep­u­ta­tion for engag­ing, expe­ri­en­tial, and dis­tinc­tive­ly brand­ed hos­pi­tal­i­ty inte­ri­ors, and with offices in New York, Paris, and San­ti­a­go, he’s tak­en his design phi­los­o­phy inter­na­tion­al. Howl sat down with Ashen to talk brand­ing envi­ron­ments, expand­ing one’s prac­tice, and how to be an expert in everything. 

— You and your firm have gravitated towards branding hospitality interiors. What does it mean to you to brand an environment?

I think that just as every per­son has their unique DNA, every envi­ron­ment has its unique DNA. The sto­ry is already there; it’s how you bring it to life and cre­ate an expe­ri­ence. Every touch­point needs to be thought of when you’re cre­at­ing some­thing that’s for peo­ple. The design must be tak­en through all the touch points the guests have, from how they expe­ri­ence the staff, to what they hear, what they smell, what they touch, and what they taste. It’s about bring­ing that all together.

Howl9 ft2 img2
Dash Design
Godiva flagship store located in Istanbul, Turkey (2011)
Photo: Ali Bekman
— What are some of your favorite projects you’ve worked on and why?

One from ear­ly in my career was a project I did called XL. It was one of the first high-end gay night­clubs in the coun­try. We real­ly got into the light­ing design and the detail­ing. It was fun. It was very the­atri­cal. I’ve worked with Godi­va for 25 years. I was able to do a store in every major city in the world, so it real­ly got me to under­stand cross-cul­tur­al dif­fer­ences. Hotel One11, which we just fin­ished in New Orleans, was great. It was such a beau­ti­ful build­ing. I’ve done some his­toric ren­o­va­tions, but this was a pret­ty intense design project. There were so many lit­tle puz­zles that had to be fig­ured out there. 

They’re all inter­est­ing. When I was in grad­u­ate school, I had din­ner with Bob Siegel, of Gwath­mey Siegel. They had just designed their first sky­scraper in Times Square; I had recent­ly gone to a coun­try club and seen that they had designed the dish­es there. And I’m like, what do you learn more from, the dish or the sky­scraper? And he said, I learned just as much from design­ing the plate as I did from design­ing the building.’

— Your firm has multiple international locations. You have offices in New York, Paris, and Santiago. What was that expansion process like?

Paris is a part­ner­ship. We have a joint ven­ture called Saguez & Dash. We start­ed dat­ing’ in 2019, and we formed the joint ven­ture for­mal­ly a cou­ple of years ago. So that’s been easy. COVID was very, very help­ful, because we learned how to work more effec­tive­ly remote­ly. Pri­or to COVID, peo­ple were like, They have an office in Paris and we have an office in New York, and we’re work­ing the project togeth­er. How are we going to do that?’ Now we’ve all been work­ing as teams remote­ly. We’ve proven we can do it.

San­ti­a­go hap­pened organ­i­cal­ly. My part­ner is from Chile, so we have an apart­ment there. I’ve tried over the last 15 years to form rela­tion­ships. About a year and a half ago, I hired an archi­tect who lives in Chile. She under­stands both US cul­ture, because she grew up here, and Latin Amer­i­can cul­ture, because she’s been liv­ing there. That kind of just fell into place. Some­times you can’t over­think things too much. It’s paral­y­sis by analy­sis. You’ve got to go with your gut a lit­tle bit.

Howl9 ft2 img3
Dash Design
One11 Hotel located in New Orleans, LA (2020)
Photo: CS3 Photography
— What are the hallmarks of a good client relationship?

We’re pro­vid­ing a ser­vice. I always tell my team that peo­ple hire us to help ease their sore points. They hire us to take things off their plate that they don’t want to wor­ry about. I find that the best rela­tion­ships are the ones where I can antic­i­pate the things that are keep­ing my clients awake, and make sure that they’re not keep­ing them awake. Even if it’s not in my scope.’ Some­times, some­body in my office will say some­thing like, The client is ask­ing about the alarm clocks for the rooms, but that’s not in our scope.’ I nev­er say that. I say Don’t wor­ry, we’ll help fig­ure it out. I’ll find some­one who can do that for you.’ But don’t throw it back in their court. It’s always an edu­ca­tion, fig­ur­ing out how best to be a good part­ner. And that means being able to antic­i­pate what they need.

You know, it’s fun­ny. Inte­ri­or design­ers, we’re gen­er­al­ists, but we’re experts in every­thing. I’m not an expert on HVAC, and I’m not an expert on the per­for­mance of fab­ric, but I know enough to get you the answer and cre­ate a com­plete experience.